Steven Soderberg’s ‘Kill Switch’ Adds George Clooney, Benicio Del Toro, Amy Seimetz, Frankie Shaw, and Ray Liotta — THE RONIN

One of the many interesting feature film projects on the cusp of shooting, before the Coronavirus pandemic paused productions across Hollywood included the new crime flick Kill Switch from Logan Lucky director Steven Soderbergh. A 1950s crime drama set in Detroit about a trio of criminals who carry out a home invasion, only to wonder […]… Continue reading Steven Soderberg’s ‘Kill Switch’ Adds George Clooney, Benicio Del Toro, Amy Seimetz, Frankie Shaw, and Ray Liotta — THE RONIN

Traveling solo: A Lesson in Privilege and Feminism — Kiana Duncan

I was extremely excited for a solo weekend in Berlin. I’d already had one other solo trip to the sweet, quiet Swiss town of Interlaken. On that trip, I had a scheduled itinerary on a bus tour, and I was traveling with the relative safety of a tour group. The only crime to worry about […]… Continue reading Traveling solo: A Lesson in Privilege and Feminism — Kiana Duncan

Movie Review: Beware the main course at “The Dinner Party” — Movie Nation

Never have I ever wanted to reach through a screen and give a screenwriter a good, hard “What the hell is the MATTER with you?” shaking. Until “The Dinner Party.” An exasperatingly amateur and funereal “Satanic ritual sacrifice” horror outing, sitting through it is like watching the wax melt on a candle, like seeing your […]… Continue reading Movie Review: Beware the main course at “The Dinner Party” — Movie Nation

Sahara (1943) Humphrey Bogart is Sergeant Joe Gunn WW2 Tank Commander — Wolfmans Cult Film

Humphrey Bogart stars in this World War Two drama as a tank commander in charge of a collection of allied soldiers. Here’s my review of the film, Sahara (1943) Tagline – SENSATIONAL! DRAMATIC! EMOTIONAL! MEMORABLE! What’s going down? Sometime during 1942 during WW2 the Allied forces were fighting General Rommel in the North African Campaign… Continue reading Sahara (1943) Humphrey Bogart is Sergeant Joe Gunn WW2 Tank Commander — Wolfmans Cult Film

Purple Reign — museumhead

Gary Numan ‘Dance’ 1981 “Dance is music made visible” In a world of entertainment, it is seldom any artist achieves such monumental success in such a short time frame. Be that music, film, literature, art, narration… Whatever the avenue, most celebrities climb gradually to the apex of their careers with gradual exposure and building […] via… Continue reading Purple Reign — museumhead

Parasite Movie Review — Robin’s blog

Parasite is a difficult film to talk about. It defies any easy pigeonhole, wriggles free from slotting into a single genre, can be considered both a mainstream crowd-pleaser and an arthouse masterpiece — and is, undeniably, a film best enjoyed going in blind, its delicious and shocking surprises ideally experienced as innocently and obliviously as… Continue reading Parasite Movie Review — Robin’s blog

Black History in Napa County, California — Punk-Ass Book Jockey

In light of everything going on, I decided to offer an excerpt of my chapter on Black history in Napa County, California, from my book Hidden History of Napa Valley, out 2019. I did extensive research for this chapter and it covers 1846-1940. This chapter is not a meditation on The Struggle (TM), but a […]… Continue reading Black History in Napa County, California — Punk-Ass Book Jockey

‘Shirley’ review: Elisabeth Moss is at the center of a masterpiece thriller about a famed horror writer — Stephen Page

By KATIE WALSH TRIBUNE NEWS SERVICE | JUN 02, 2020 | 10:41 AM The first exchange in the brilliant, brutal “Shirley” is telling about what’s to come. A young woman, Rose (Odessa Young), finishes reading a short story (“The Lottery” by Shirley Jackson) and recounts the tale to her husband, Fred (Logan Lerman). “That’s creepy,” […]… Continue reading ‘Shirley’ review: Elisabeth Moss is at the center of a masterpiece thriller about a famed horror writer — Stephen Page

30 years from now, what will the Police be? — Reality Ahead of Schedule

The police get a lot of criticism, and rightly so. from their American origins as slavecatchers to their current uses as tools of fear, the past century of police work has not changed much while society whirls around them. Successive regimes in America have either given lip service to police reform or whole-heartedly endorsed their […]… Continue reading 30 years from now, what will the Police be? — Reality Ahead of Schedule