Street Law is a fast-paced, multi-ethnic English-language law firm drama, wrapped in a murder mystery. CAST LIST: Mike – Alex Clay Narration – Pip Dwyer Ricky – Russell Batcher Christina – Vanessa Burns A FilmFreeway preferred festival: *** Producer: Matthew Toffolo http://www.matthewtoffolo.com Director: Kierston Drier Casting Director: Sean Ballantyne Editor: Kimberly Villarruel Camera Op: Mary Cox
Category: winning screenplays
CRIME/MYSTERY Festival Testimonial – October 25 2018
Screenwriter Ricardo Fleshman (KILLING MOSES) This festival was a natural fit for Killing Moses. The feedback I received exceeded my expectations and I took it all to heart. The recommendations were extremely helpful to making this screenplay read/flow so much better and I am a better writer for it. Thriller; Private Detective Moses Byone and effeminate… Continue reading CRIME/MYSTERY Festival Testimonial – October 25 2018
CRIME/MYSTERY Festival Testimonial – October 24 2018
Screenwriter Chloë J. Hightower (Monochrome) The feedback that I received was very constructive, and I was able to apply it to my script. It also helped me in how I would direct Monochrome. Refugees of racial violence in the 70s, an interracial couple finds themselves stuck in their haunted basement when a gang of anti-war extremists… Continue reading CRIME/MYSTERY Festival Testimonial – October 24 2018
CRIME/THRILLER Best Scene Reading of Samantha Rutledge PI, A Killer Case by Iannis Aliferis
It is the story of a bored and jaded female private-eye, who takes on another seemingly open and shut case of infidelity, only to put herself in grave danger when it turns out that the cheating spouse is in fact a professional killer. Genre: Crime, Thriller. Type: Feature Screenplay. CAST LIST: Samantha: Mandy May… Continue reading CRIME/THRILLER Best Scene Reading of Samantha Rutledge PI, A Killer Case by Iannis Aliferis
SEPTEMBER 2018 Winning Films, Screenplays & Stories
A FilmFreeway preferred festival: DISCLOSURE, 9min., USA, Drama/Crime AMERICAN BOY, 9min., USA, Drama 1st Scene Screenplay: MARKED by Leah PollackSeptember 2018 LA BEST SCENE Screenplay: THE TATTOOED BLONDE by Paul SargiaSeptember 2018 BEST SCENE Screenplay: BROWN DOG by Andrew WardSeptember 2018 Novel Transcript: FORTRESS OF DECEIT by John DzakovicSeptember 2018 ****… Continue reading SEPTEMBER 2018 Winning Films, Screenplays & Stories
Best Scene Reading of Long Way To Neverland by Calvin M. J. Smith
Logline: A ruthless hitman finds himself on the run with the teenage girl he was ordered to kill and must evade his pursuers to keep them alive. Narrator: Mandy May Cheetham ****** Producer: Matthew Toffolo http://www.matthewtoffolo.com Director: Kierston Drier Casting Director: Sean Ballantyne Editor: Kimberly Villarruel Camera Op: Mary Cox
How Pulp Fiction Should Have Ended
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Crime/Mystery Festival Testimonial – September 24 2018
Thank you very much for your appraisal of my script “Nine Bullets in Paris”. The review far exceeded my expectations. Your reader raised some very interesting issues which I shall endeavour to address in the next draft. Please pass on my sincere thanks to the Reader. I think he / she wrote a highly professional… Continue reading Crime/Mystery Festival Testimonial – September 24 2018
CRIME/MYSTERY Festival Testimonial – September 21 2018
It felt like something a little different and I was intrigued as to how my script would come across when performed. The feedback and communication in general from these guys has been great and I would fully recommend any budding writers to enter the next one. A FilmFreeway preferred festival: Watch the Screenplay Reading: Logline… Continue reading CRIME/MYSTERY Festival Testimonial – September 21 2018
AUGUST 2018 DRAMA Stories, Screenplays, Short Films
Originally posted on Festival for Drama in Film, Screenplays, Novels:
Submit via FilmFreeway: Short Story Reading: GOOD THINGS COME TO THOSE WHO WAIT by Dossie H. Terrell Short Story Reading: MOVING DAY by Paul Vitols Short Screenplay: WHERE I’M LEFT by Annaliese Von Der BurgAugust 2018 LGBT Short Screenplay: LOOK IN MY EYES by…